Late Night Staring at High Res Pixels (Subtitled)

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Episode 28. How It Ends
In which 1 moves on and A is still waiting.
Click here to catch up on all subtitled episodes on our YouTube channel.
A new play repurposed for online viewing from the creative team behind Scrounger, and the first of the Finborough Theatre’s #FinboroughForFree original online content, new for every month during 2021.
CONTENT WARNING: contains references to image-based, emotional, and sexual abuse. **Listening with headphones or earbuds is strongly recommended, but not essential. **
Presented in 28 separate episodes, Late Night Staring at High Res Pixels will be streamed at 6.00pm every day from 1 February 2021 via the Finborough Theatre’s YouTube channel, culminating in a recording of the whole play which will be available from 1 March until 30 March 2021. The episodes and the full play will also be simultaneously available with subtitles on Scenesaver.
Two women. One photograph. A young woman sends a topless selfie to her boyfriend as a bit of flirtatious fun. When he shows it to his best friend for a laugh, he can’t imagine her having any other reaction. But what starts out as a joke soon turns into an accusation of something much darker. At what point does admiration become a form of control? How do we say ‘stop’ when it becomes apparent that we are complicit in hurting other women? If someone you know to be a good person, starts to prove themselves otherwise, how do you walk away?
Late Night Staring at High Res Pixels explores the issue of assumed consent and how it contributes to a culture of complicity and control towards women. Men have long held power in relationships with tools that have no name; this story aims to identify those methods.
Writer and performer Athena Stevens says “The events that led me to write this play were the same events that made me become a feminist and to work for the Women’s Equality Party. I suddenly had the realisation that I was expected to follow a script in my relationships, one that was inevitably harmful to other women. Oppression is always dependent on silence. I refuse to be a cog in the machine built to oppress women.”
Review: Cultural Capital (at ep 14)
Late Night Staring at High Res Pixels by Athena Stevens
Cast
1 | Evelyn Lockley
A | Athena Stevens
Director | Lily McLeish
Design | Anna Reid
Lighting Design | Anthony Doran
Music and Sound | Julian Starr
Editor | Lily McLeish
Producer | Sarah Lawrie
On-Set Coordinator | Olivia Wakeford
Production Coordinator | Sacha Billingham
Production Accountant | Annegret Kuhnigk
Press Representative | Flavia Fraser-Cannon for Mobius
Presented by Aegis Productions in association with Neil McPherson for the Finborough Theatre
Equity #ProfessionallyMadeProfessionallyPaid
Supported using public funding by Arts Council England
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