A CASA DE BERNARDA ALBA // THE HOUSE OF BERNARDA ALBA

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The fear of the body that infantilizes itself and refuses to die, seeking to establish itself in a perpetual unchanging present, enlarges the perception of the five senses. In the play, it is the death of the father that precipitates the closure and oppression of women. In the world, it is the separation from the past and the disintegration of the present that raises feelings of helplessness and authorizes the escalation of oppression. We will only come to the future if we are obedient and abide by all the rules. Those that exist and those that will still be created. The sufocating circularities of the authoritarian powers disguised as democratic gestures, are exerting increasing influences limiting individual freedoms.
The gigantism of the great institutions and social structures adapted to an invasive globalization, develop forms of open despotism, without modesty or brake that contain them.
It is the power of new social dictatorships that, in the name of security, impose on the global citizen rules of conduct and transparency that condemn intimacy and privacy – as Bernarda Alba did at home.
These new forms of power emerge associated with the orders and rules that social institutions kindly and gently are clinging to. The body and the earth need to speak. We gave him the voice that Lorca left us.
As for the work methodology, this process follows a rewriting of the text from a performative process of experimentation and research with the actors. The text of Federico Garcia Lorca is a pretext for creation being the author of the final text João Garcia Miguel.
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